![]() Reflections of Spider-Man in shards of glass come alive and attack. Spider-Man is pulled into a disorientating hyperlapse effect towards a miniature version of Aunt May’s house. ![]() A terrified MJ falls out of reach, from the top of a stylised Eiffel Tower. Peter is thrown into a series of conjured illusions aimed to panic him a school hallway stretches endlessly into the dark, with horror movie-style flickering lights. Mysterio is a master of creating intricate real-time experiences using a sophisticated Virtual Reality set-up, an intriguing concept for Framestore to sink their teeth into considering their own history in designing immersive experiences. office in Berlin but is actually a construction yard which has been augmented by Mysterio’s drones. The sequence begins with Peter visiting what he believes to be the S.H.I.E.L.D. The team began with a pre-vis by Proof as a jump-off point, and went on to brainstorm additional ideas referencing other films, creating storyboards and then concept artwork to put Spider-Man in various unsettling situations. VFX Supervisor Alexis Wajsbrot, who has previously worked on Marvel Studios’ Doctor Strange and Thor: Ragnarok, jumped at the chance to be creatively involved in the sequence. ![]() ![]() ![]() The abstract nature of the shots and constantly evolving designs meant that once the storyboard was finally locked, the team had just eight weeks to turn around the 140 shots needed to deliver the scene.įramestore was in the unique position of being encouraged to come up with original and inventive ideas to show Mysterio’s menacing power play. Working with Production VFX Supervisor Janek Sirrs, the team crafted the story and design of the sequence as well as creating the VFX. We took on the dazzling ‘Illusion Battle,’ a mesmirising sequence which sees Mysterio play on Peter’s very worst fears by conjuring psychedelic environments, freakish characters and a dramatic narrative. ![]()
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